Wednesday, October 23, 2019
Defining the Concept of Voice Through an Assessment of Shakespeares “Twelfth Night†Essay
Defining the Concept of Voice Through an Assessment of Shakespeare’s â€Å"Twelfth Night†Introduction            Literary voice is a multifaceted subject that involves both linguistic and stylistic aspects. The readers and editors often significantly demand the involvement of originality and creativity. The level of creativity is required in the development of lasting and satisfactory understanding of the development of the voice. According to Hunter College Reading/Writing Center common characteristics of ‘voice’ is â€Å"Distinct from the terms persona, narrator and tone, voice is associated with the underlying vision of a writer, her general attitude toward the world.†This paper is a fervently articulates the definition of voice through the linguistic choices of Shakespeare’s in his famous play Twelfth Night in evident through his passion for drama and poetry.            The voice when applied in rhetoric it demonstrates the clarity of the visions and thoughts of the writer. Voice is specific to every individual more artistically conveyed in the works of writers. The uniqueness of every piece of writing as a piece of artistic work is subject to the distinct figurative role or a unique commentary of the creator â€Å"writer†. Plays are composed of literal and allegorically unique to develop individuality for the play that is meaningful and captivate. Voice is defined as the distinctive tone or style identifiable of literary work or author.            Twelfth Night demonstrates a tonal play written out to sound like a poem, where there is rhythmic balance in the pronunciation of the lines. Most importantly, the content reflects a unique commentary that speaks beyond what is given in the play. Any individual who is accustomed to the work of William Shakespeare would be able rapidly to detect that Twelfth Night is one of Shakespeare’s works through his techniques of writing. Shakespeare uses a unique combination of writing techniques such as twisted iambic pentameter and soliloquies. At the start of Twelfth Night, Orsino, a Duke, demands if music creates love, then â€Å"Give me excess of it, that, surfeiting†(1.1.2). If music be the food of love, play on; Give me excess of it, that, surfeiting, The appetite may sicken, and so die            That strain again! it had a dying fall: O, it came o’er my ear like the sweet sound, That breathes upon a bank of violets, Stealing and giving odour! Enough; no more: By using iambic pentameter, Shakespeare defines Orsino’s character to be different from those of different social class. Here, Shakespeare uses iambic pentameter in a distinct way by switching the tones around to create a different tonal pattern. Instead of the regular iambus of one stressed and one unstressed beat (ba-BUM) for ten syllables straight, he makes a modification to some syllables in order to emphasize certain words.SIR TOBY BELCH Approach, Sir Andrew: not to be abed aftermidnight is to be up betimes; and ‘diluculosurgere,’ thou know’st,– In act 2 scene 3, The syntax and the preceding semicolon on the first line direct the stress on give at the beginning, but the resulting pattern is choppy and almost dactylic in its meter. He often uses this technique on characters that had a higher social status in his plays. On the contrary, those characters of a lower status were deemed not to have the leisure to experiment with literature speaking in regular prose or verse. For example, Malvolio, a butler, attempts prose in the beginning but changes to speak in verse like, â€Å"Daylight and champain discovers not more: this is open. I will be proud I will read politic authors,†(2.5.155-157). Iambic pentameter shows control and yet the emphasis here is on the instability and the intensity of class difference. Thus, Shakespeare’s manipulation of regular iambic pentameter to create differential approach to the field of play each character has. This inherently configures a reflection of his unique voice, and this leads readers to think that, in literature, voice is distinct and unique to develop a persona.            Another literary device that commonly found in Shakespeare’s Twelfth Night is soliloquy, which involves a character speaking his or her thoughts aloud. The ideas conveyed by the actor are a way providing information from Shakespeare own point view on certain situations. In 2.2 of Twelfth Night, Viola, disguised as Cesario, conveys her realization of the mistakes she caused due to her disguise: Disguise, I see, thou art a wickedness, Wherein the pregnant enemy does much. How easy is it for the proper-false In women’s waxen hearts to set their forms!            Alas, our fraility is the cause, not we, For such as we are made of, such we be. How will this fadge? My master loves her dearly,And I, poor monster, fond as much on him,And she, mistaken, seems to dote on me.What will become of this? As I am man,My state is desperate for my master’s love.As I am woman, now, alas the day,What thriftless sighs shall poor Olivia breathe! (2.2.26–38)            This soliloquy serves a purpose of developing context outside of the literal play. In real life, people don’t typically speak their thoughts aloud when alone. Shakespeare’s use of soliloquy is a active interpretation of what the audience does not yet understood. Thus, the conscious choice to use a soliloquy is representative of Shakespeare’s voice because, it develops Shakespeare’s style of presenting mental or non-visible information to become visible to the audience. Soliloquy adequately conveys the strength of Shakespeare to back audience into the scene of play through understanding of the event. Secondly, it develops in a way where Cesario is aware of the whole plot and takes on a role in knowledge as an audience. Furthermore, this foreshadows of how there will be a conclusion to untie this lie, and chaos Viola has created through her disguise. These complex ideas are voices for Shakespeare’s readers to notice through his voice beyond the literal sound of the play.            A complex idea beyond the authentic voice of the play also develops the style that is distinct to Shakespeare. In the same scene, Shakespeare also personifies the concept of a â€Å"disguise†to render a style of narration. Shakespeare uses apostrophe, and aside or address inanimate objects as though they are alive. For example Cesario concludes that â€Å"Time,†which she addresses as a character, must unravel this madness, as she cannot undo Olivia’s confusion, â€Å"O, Time, thou must unravel this, not I†(2.2.39). In this soliloquy, Caesario highlights the weakness of women, the subjectivity of love and the conflicts presented by appearance versus reality. The use of monologue, apostrophe and iambic pentameter in combination create Shakespeare’s voice. It sets his writing apart from other writers who present a similar plot. For example, Ewon Leslie’s She’s the Man incorporates scenarios from Twelfth Night but is written in an entire different voice and style. Both presenting a story plot of a woman in disguise of men creating a chaotic love web, She’s the Man, is different as the literal voice was of modern English. Which does not use poetry, soliloquy, nor personification. Through examining Shakespeare’s use of personification and soliloquy, audiences can see that idea of voice is unique on its own and cannot be imitated.            In fact, it is not only a unique concept to developing a figurative voice for Shakespeare, but also a voice in writing. â€Å"It is one of the last of the Elizabethan comedies†¦reflecting the anxieties and uncertainties of its historical moment,†and â€Å"first seventeenth century comedy, and is in many ways a beginning -of-century play, inaugurating a new poetics: some commentators have been it as the first of the ‘ dark comedies’†(Elam 2). This explained through his scene, which prepares us for dramatic irony when Maria, Sir Andrew, and Sir Toby write the letter to Malvolio, under the pretence of Olivia.            Maria            I will drop in his way some obscure epistles of love; wherein, by the colour of his beard, the shape of his leg, the manner of his gait, the expressure of his eye, forehead, and complexion, he shall find himself most feelingly personated. I can write very like my lady your niece: on a forgotten matter we can hardly make distinction of our hands. As we, the audiences are aware of the deception, because Malvolio himself is not aware of it when he finds and reads the letter during Act 2, Scene 5. Presuming the letter is for him, and from Olivia, he proceeds to embarrass himself. This structure of the voice develops as Shakespeare style in dramatic irony where the audience becomes important to the play. Voice here holds a distinct figurative role to incorporate audience into understanding voice of Shakespeare. A further technique that is commonly used by Shakespeare and is, therefore, representative of his voice concerns the way in which he in corporates the audience into play. According to Keir Elam, Twelfth Night, â€Å"pleasures and trials of spectatorship†(Elam 3). By having spectatorship and asking audience for appraisal, establishes the use of dramatic irony. Audience is present and indulging in the same space as the characters through the lines: Sir An. Here comes the fool, i’ faith. Look, here comes a fool. Fes. How now, my hearts! Did you never see the picture of ‘We Three’? Hello, my friends! What a pretty picture, three fools all together. Sir To. Welcome, ass. Now let’s have a catch. (2.3.12-17) Taking this even further, Shakespeare typically uses a fool to breaks the fourth wall. The fool is present in this piece as he is in many of Shakespeare’s plays; for example, Puck in A Midsummer Night’s Dream invites the audience to be with them. This analysis of the way Shakespeare uses tone, mood, style and figurative techniques through the fool to demonstrate his thin king and logic provides further insights reflecting his personality and ability to manipulate what is perceived. However, in She’s the Man, a movie that â€Å"relate only to the plot of the work, the poetry and character being all his own†(Hudson 8), the fool is the audience (not a character). The story presented in She’s the Man has every potential to be another copy of Twelfth Night because it shares a similar plot. Referencing stories outside set Twelfth Night apart from She’s the Man, such as that Twelfth Night’s â€Å"setting of the play, Illyria , as an exotic and unfamiliar location associated with literary romance, lyricism, and illusion,†(Entland, 149). However, the way it is written, its voice, sets it aside from Twelfth Night, which was very much a play written for characters to perform.            This leads the audience to form the conclusion that voice is something that is expressed and received by the initiator and a receptor. As such, it was important for Shakespeare to develop a style that was unique to him as, through his writing, he expressed himself: his voice was an extension of his thoughts, feelings and emotions. Through using a combination of technique and language, Shakespeare’s voice conveys his opinions, likes, and interests to set up the mood.In fact, the place cannot be found because it is a myth. Thus, voice become unique in bringing the reader to notice outside information that interests the author. Another interesting concept that is presented through the voice of Twelfth Night is the social classicism turn around and move to talking about Shakespeare’s voice of who he is.. In Twelfth Night, the characters fail to adhere to social expectations: â€Å" how community diagnoses madness when a person f ails to perform his known identity†¦ member of a particular class as well†(Schiffer 234). Rise of people who will form the bourgeoisie class matter due to crumbling of aristocrats.            The play contains a trick on a set of individuals who think they are exercising power and control. Malvolio, a mere butler, perceives himself to be superior to Toby, an alcoholic aristocrat and Maria, a servant. Toby, though an aristocrat, does not exhibit much power initially, but in the end does have most of the power. Toby and Maria’s letters ultimately drive Malvolio out of control. This demonstrates the modernist revolution in the arts during the late Renaissance in the service of the avant-garde. And possibly reflect Shakespeare’s stance in studies was open to movements such as structuralism and feminism.            In addition to the literal elements of Shakespeare’s voice that are described in the lines of Act 2 Scene 2, there are also figurative aspects that set his work apart from that of other playwrights and authors. According to Christine Ashby, a language researcher, the production of voice and its use as a tool are separate from the thinking of the individual. Figurative voice represents the voice of the person expressed through their idea, concept or logic. Twelfth Night is a play about the â€Å"dramatization of currently fashionable issues such as gender and sexuality†(Elam 2). This adheres to the famous recurring plot that is typical of Shakespeare’s plays as expressed through the idea of a love triangle, star-crossed lovers, where women is deemed to be powerless when it comes to love. For example, Act 2 Scene 2, Viola expresses how women are subjects to love for men. This derives from a larger social commentary outs ide of the play. Conclusion            Through assessing the work of Shakespeare, voice can be both literal and figurative. It reflects the author’s thoughts, desires and provides insights into what the author would like the audience to think, or how he or she would like them to receive the play. Shakespeare’s voice is reflected in his unique style and techniques. The aspects of his work that sets him apart from others work in combination to give his work his voice. Examining Shakespeare’s work has refined definition of voice as an accurate literal sound of the writer, distinct figurative role, a unique commentary. References Ashby, Christine. â€Å"Whose â€Å"Voice†Is It Anyway?: Giving Voice and Qualitative Research Involving Individuals That Type to Communicate.†Disability Studies Quarterly. Syracuse University, 2011. Web. 06 Dec. 2014. . â€Å"Glossary of Literary Terms.†HUNTER COLLEGE READING/WRITING CENTER WRITING FOR ENGLISH COURSES. Ed. Anna C. Rockowitz. Hunter College Reading/Writing Center, 1998. Web. 5 Dec. 2014. . Hudson, Henry N., Rev. Shakespeare’s Twelfth Night; Or, What You Will. Boston: Ginn, 1895. Print. Schiffer, James. Twelfth Night: New Critical Essays. Abingdon, OX: Routledge, 2011. Print. Shakespeare, William, and Elizabeth Story Donno. Twelfth Night, Or, What You Will. Cambridge: Cambridge UP, 1985. Print. Shakespeare, William, and Keir Elam. Twelfth Night, Or, What You Will. London: Arden Shakespeare, 2008. Print. Shakespeare, William. Twelfth Night; Or, What You Will. New Haven: Yale UP, 1954. Print. Shakespeare, William. Twelfth Night, by William Shakespeare. London: J. M. Dent, 1935. Print. The New Temple Shakespeare. She’s the Man. Dir. Andy Fickman. Prod. Lauren Shuler-Donner and Ewan Leslie. By Ewan Leslie. Perf. Amanda Bynes, Channing Tatum, and Laura Ramsey. DreamWorks Distribution LLC, 2006. â€Å"Voice.†Merriam-Webster. Merriam-Webster, n.d. Web. 07 Dec. 2014. . Source document
Tuesday, October 22, 2019
Casino Pier Sheech Essay Essay Example
Casino Pier Sheech Essay Essay Example Casino Pier Sheech Essay Paper Casino Pier Sheech Essay Paper In 1937. Gilbert built a big edifice over the Carousel construction and called it the Seaside Heights Casino. In 1948. John Fitzgerald and John Christopher bought the belongings. In 1959 John Christopher passed and John Fitzgerald bought the full rights. In 1960. John Fitzgerald’s son-in-law Ken Wynne took over operations. Ken Wynne expanded the wharf due east and added many drives including the pier’s foremost major roller coaster â€Å"The Wild Mouse†Wynne leased out subdivisions of the wharf to other operators. In 1963. America’s first Himalaya drive was installed. In 1964. the original Skyride was installed. It took you from the pool country to the east terminal of the wharf. The Skyride was constructing by a Wildwood. NJ company ( Universal Design ) . In 1965. the wharf was expanded 320 pess out. On June 10th 1965. a air current whipped fire consumed a immense part of the wharf in including the Wild Mouse. The wharf was opened within hebdomads with impermanent drives. The amusement park at Casino Pier offers authoritative children’s drives such as the Boats. Motorcycles. and Speedway whip autos. Family rides include the Tilt-A-Whirl. Moby Dick. Hot Tamales Roller Coaster. and Fun Houses. Thrill searchers will bask the 170 pes tall Skyscraper where riders are strapped to the terminal of a crane-like arm and are whipped around at velocities up to 70 stat mis per hr! In 1969. the Anton Schwarzkoph chef-doeuvre Jet Star roller coaster was added. In 1975. Casino Pier added the United States foremost Enterprise drive. In 1979. Casino Pier added the Luv Bugs ( Mack designed ) indoor/outdoor roller coaster. Originally called Broadway Trip which operated at Palisades Amusement Park. Cedar Point and so Canadian National Expo. Luv Bugs was re-themed to Wizards Cavern in 1988 In 1982. the original Casino edifice would alter everlastingly leting Ocean Terrance to link with it’s north subdivision. In 1982. Ken Wynne partnered with Bob Bennett. In 1982. the Skydiver drive fell on top of the Himalaya during a violent electrical storm. Folkss where clear of the country and there wasn’t any injures. In 1982. Water Slides were added to the swimming pool. Park was named â€Å"Splashdown†. In 1987. Water Works H2O park was opened in topographic point of the swimming pool. In 1997. The ( Reverchon ) Log Flume was added. In 1999. The Wild Mouse ( Miler ) was added In 2002. The Jet Star ( Miler ) replaced the Star Jet In 2002. Bob Bennett sold Casino Pier and Water Works to the Storino household In 2003. the Stillwalk Manor. Centrifuge. and Rock A ; Roll drives were introduced on Casino Pier. In 2004. Water Works was remodeled and opened as Breakwater Beach. In 2007. Pirate’s Hideaway Coaster opened up as the replacing coaster for the Wizard’s Cavern In 2010. the Floyd Moreland Carousel turned 100 old ages old. Cake from Carlos Bakery ( TV’s The Cake Boss ) was made picturing the carrousel. In 2011. the waterpark celebrated their 25 twelvemonth day of remembrance. In 2012. Breakwater Beach replaced the original Single Tubes drive ( 25 old ages old ) with Two if By Sea. in the eventide of October 29th 2012. Hurricane Sandy made landfall and caused harm to places and substructure runing into the one million millions of dollars in the province of New Jersey entirely. harmonizing to the National Weather Service’s preliminary estimation. That bureau besides reported several air current blasts in Ocean County at near to 90 miles per hour. and a buoy located near the entryway to New York Harbor issued a record moving ridge tallness of 32. 5 pess at 8:50 autopsy. merely before a clip that multiple informants present on the barrier island at that clip attribute to a fast moving storm rush that elevated H2O degrees in or near their places drastically in a short period. The belongingss of Casino Pier sustained terrible harm as a consequence of Sandy. Entree to the barrier island of Seaside Height was halted until October 31st. when proprietor. Vincent Storino. was foremost able to do it back to the amusement centre. 200? ‘ of the wharf was lost in the northern more subdivision and 50? ‘ was lost in the southern subdivision. The JetStar Roller coaster. Log Flume. Stillwalk Manor. Centrifuge Building with the drive and many other drives or parts of drives housed in at that place. and the Music Xpress fell into the Atlantic Ocean Acarousel might non be the most popular drive in any amusement park but the carrousel at casino wharf has a big fan base. Casino wharf is a amusement park installation that had 38 drives before hurricane sandy. Ranging from household drives to roller coasters. they besides have a rooftop mini golf class. a chair lift that runs the full legnth of the north side of the boardwalk. A figure 8 go cart path. and many bases that serve pizza. cheese steaks. sausage sandwiches. ice pick. funnel bar and lemonade. The carrousel is located in the casino wharf arcade between ocean patio and the boardwalk. There is besides a H2O park known as break H2O beach located right across the street from the arcade. But the wharf is the treasure of the boardwalk they had 3 rollercaosters runing before flaxen. hot Tamales. pirates hideaway. wild mouse. They had 7 others throughout history. firedrake waggon. snake pits angels. jet star which was renamed star jet is the rollercoaster that fell into the Atlantic ocean. the origional wild mouse. aces cavern. and onther one whose name has been lost to history. app. com/article/20130525/njnews/305250097/historic-carosel-sin-again-seaside-heights rcdb. com/4624. htm casinopiernj. com.
Monday, October 21, 2019
On Buying Local Essays - Industrial Agriculture, Organic Farming
On Buying Local Essays - Industrial Agriculture, Organic Farming On Buying Local, Katherine Spriggs mentions the positive aspects of consuming locally produced food items from local farms which deals with fresh products. According to the author promoting local buying helps in the development of small farms, maintaining environmental stability, strengthens local market, promotes rural economies and helps in minimising environmental problems, which is caused due to transportation, over usage of chemicals, and increasing the fertility of land by cultivating various types of crops at the same time (polyculture). On other hand industrial scale production leads to increase in environmental problems which is caused by the movement of goods, using of pesticides, and unhealthy farming practices like cultivating single product across the whole land frequently (monoculture). This leads to barren land, pollution of ground water and even in the destruction of natural eco system. Though the author states about various counter arguments such as, loss of jobs, gl obal recession, and instability of national economy which she received from others, who support large scale industrial production, Spriggs encounters all the arguments by stating that, all the benefits of local buying outweigh the advantages of industrial production. Though, buying of local product needs personal sacrifice, it has various social, economic and environmental advantages far more than sacrificed.
Sunday, October 20, 2019
How to Make Ice Spikes in Your Freezer
How to Make Ice Spikes in Your Freezer Ice spikes are tubes or spikes of ice that shoot up or off at an angle from a container of frozen water, such as a bird bath or bucket in the winter. The spikes resemble an inverted icicle. Ice spikes form rarely in nature, but you can make them in your own freezer quite simply and reliably. Heres what you do. Ice Spike Materials distilled waterice cube trayfrost-free freezer (ordinary home freezer) Its important to use distilled or reverse osmosis purified water. Ordinary tap water or mineral water contain dissolved substances that may prevent the water from forming spikes or reduce the number of spikes that are formed. You can substitute a bowl or cup for the ice cube tray. Plastic ice cube trays are nice because they contain several small compartments, meaning you have a quick freeze time and several chances for spikes. Make Ice Spikes Its easy! Simply pour the distilled water into the ice cube tray, set the tray in your freezer, and wait. You can expect about half of the ice cubes to contain ice spikes. An ordinary ice cube tray freezes in about 1-1/2 to 2 hours. The spikes degrade and soften over time since most home freezers are frost-free and will blow warmer air over the spikes. How It Works Pure water supercools, which means it remains liquid past the ordinary freezing point. When it starts to freeze at this lower temperature, it solidifies very rapidly. The freezing process starts at the edges of the container because the nicks, scratches, and imperfections allow for nucleation of the ice crystals. Freezing continues until there is only a hole near the middle of the container, which contains liquid water. Ice is less dense than liquid water, so some of the crystals float to the top and are pushed out, forming a spike. The spike grows until the water is frozen. There are two reasons why ordinary tap water or mineral water are less likely to form ice spikes. The first reason is that this water tends to freeze at its regular freezing point. This is a much slower process than freezing from the supercooled state, so solidification is more likely to be homogeneous or occur throughout the ice cube all at once. If there isnt a hole in the ice, the ice spike cant grow. The other reason is that contaminants or impurities in the water become concentrated in the liquid as the water freezes. Researchers believe solids become concentrated at the growing tip of an ice spike and inhibit further growth. Learn More How To Supercool WaterMake Hot Ice or Supercooled Sodium AcetateWhy Ice Floats
Saturday, October 19, 2019
State Agencies- Structure Models Research Paper Example | Topics and Well Written Essays - 250 words
State Agencies- Structure Models - Research Paper Example The centers of urgent care operate with a cheaper fee and do not have the space of providing services to patients who do not pay. Additionally, the health facilities are normally certified by the joint commission (Winston, 2012). Assuming the center is working under the tax identification number of the hospital, the surveyors could choose to carry out the operation of the outpatient Center and the standards simply not appropriate for the urgent care. When that is done, the excessive cost would be brought down. Consequently, the prospective payment mechanism, established by the Medicare needs that all the services offered to the same clients for the similar diagnosis by a related organization with three days of hospital admission, is taken to be part of the admission. For the same reason, any facility operating the urgent care center as a super agency model will be required to have and maintain the mechanism of tracking the patients to follow the post treatment in the centers of urgen t care and to consolidate he service charges that meet the criteria(Williams & Connor,
Friday, October 18, 2019
Marketing Mix Essay Example | Topics and Well Written Essays - 250 words
Marketing Mix - Essay Example McDonalds has a well-established advertising setup in various media like print, TV, internet, etc. Using these media to promote the low fat blueberry muffin would be prudent. TG 1: The office goers are perennially facing a crunch of time and they find it difficult to squeeze in time for fitness regimes. Taking into account this fact a promotion in print media stating â€Å"Did you do your 30 min workout this morning?†would leave them with a leading question. Follow this up with â€Å"If not? No problem, McDonalds can help!†Mentioning the benefits of having blueberry hence coaxing them to try low fat blueberry muffin, mention you can at least take care of your body by eating healthy. Similar radio and email campaigns can run parallel to the print. TG 2: The women in the age group of 20-45 years constantly strive to eat food with fewer calories so that they can get slim or stay that way. Billboards saying â€Å"At McDonalds you can keep those extra calories away†Low fat blueberry muffins are a perfect dessert option for those with a sweet
Galileo's Daughter underlying devotion to her father Essay
Galileo's Daughter underlying devotion to her father - Essay Example Since all the three of Galileo’s children were illegitimate, he knew it would be difficult to marry them off, which is why he sent two of his daughters to convents, to become nuns. Born Virginia Galilei, Galileo’s eldest daughter was a great source of support and encouragement to him. She later assumed the name of Suor Maria Celeste, at the San Matteo Convent, Arcetri. Evidently, she couldn’t retrieve information about the outside world and her correspondence with her father allowed her to learn and obtain news from outside. Galileo’s daughter was of brilliant intellect and often offered suggestions and advice to her father, when he seemed in a chaotic mindset or demoralised. The letters have been written using endearing terms and portray the great love and respect that Maria Celeste had for her father. The discussions revealed the deep interest she had in her father’s scientific work, wherein she often offered her opinions. Besides this, they also discussed extensively on health remedies and other family issues. In these pages, Maria Celeste is revealed as lively, insightful, ingenious. In the convent, she served as an apothecary, having learned the trade from "the nuns and visiting doctors who staffed the convents infirmary" (p. 325). Sobel speculates, however, that she learned to read and write in Latin and Italian under her fathers tutelage. Indeed, "no one at San Matteo surpassed her in language skills. Even the abbesses sought her out to write important letters of official business" (p. 325). In Sobels view, it is Suor Maria Celeste --- far more than her cloistered younger sister or her wayward, undisciplined brother --- who met Galileos match in intelligence, insight, devotion, and wit.
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